FFWDing to the Best Part: “Sweet Home Alabama,” Lynyrd Skynyrd (1974)

There is an ever-growing lists of songs that I don’t hate, per se, but which I’d be perfectly content with never ever hearing again during my remaining years on this proverbial merry-go-round. ‘Sweet Home Alabama’ is among them. Also on the list? ‘Sweet Caroline,’ ‘Brown-Eyed Girl,’ ‘Pour Some Sugar on Me,’ and even — dare I say it — ‘Hungry Like the Wolf.’ Done to death, are these numbers.

‘Sweet Home Alabama’ also has that relatively unique but certainly annoying trait where it conjures up a vaguely unpleasant aural memory every time I hear it. Picture it: 1994, I’m a college junior, and I was with my boyfriend at the time, who was DJing some sort of high-school dance (a church youth group? Such details I cannot remember.) Anyway, this song was already dead tired then, but it was requested, so he played it. And the kids had a chant that accompanied the chorus. I had never heard this chant — as clever as it is forgettable — before, have never heard it since, yet I hear it in my brain whenever forced to listen to this southern-fried-rock classic.

It went a little something exactly like this:

Sweet home, Alabama (‘Bama, bama, bama!’)
Where the skies are so blue (‘They-are-so-blue!’)
Sweet home, Alabama (‘Bama, bama, bama!’)
Lord, I’m coming home to you

You’re welcome.

There is one slight hiccup of a second of this song that I still enjoy, however, proving the theory once again that nearly every song can have a “best part…” Right at 2:17 – 2:19, before one of many instrumental breaks, Ronnie Van Zant mutters “Here I come, Alabama.” It’s a throwaway, but I always liked the rhythm of it … and how it leads into the eventual second-best part: Merry Clayton in the background, wailing away: “Alabama — Ahhh, ahhh, ahhh — Alabama ahhh, ahhh, ahhh…”

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